DV8 bring precision and power to the Lyttleton stage with 'John'
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How do you know what you think until you've thought about it?
PostScript Journal: for the considered, critical response to theatre.
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B.Evans This is a raw, brutal and poetic piece of work, which I highly recommend. John tells a powerful story, invigorated and elevated...
"We've come a long way backwards" This ISN'T a review of Sunny Afternoon
By JBR Why are you reading this? Are you thinking about gong to see Sunny Afternoon and wondering what I thought of it? Are you about to...
"Run, Urinetown! Run!" Why the world will end if you don't see this show...
"What kind of a musical is this?!" cries Little Sally. The good kind. By E.L Hardy Susannah Clapp (for the Guardian) described Miss...
'Freefall' at The Pleasance
By EJ I never read the blurb for shows. Never. I think it’s because I like surprises. I don’t like anything to give the game away,...
Memphis, Shaftesbury Theatre
By E.L Hardy Memphis is outrageously good: As soon as the onstage band strike up the opening chords of David Bryan's peppy, soulful...
No rival for 'The Rivals'
By L. Darrall Restoration comedies can be loquacious at the best of times and Richard Brinsley Sheridan’s The Rivals, is one of the...
Jacques Brel is Alive and Well and Living In Paris, Charing Cross Theatre
By Megan Prosser “ ’Til the rancid sound of the accordion busts” Megan Prosser, long time Brel devotee goes underground expecting...
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