

Fast and Furious: La Soirée Comes To Town!
By Sophie Scott We stood outside the white marquee, our expectations momentarily disappointed, memories emerging of the brightly panelled...


'The Glasshouse' stands strong on the front lines of London fringe
by J Sydney-Leigh White light seeps in through a hole in the roof of a wooden building, caressing swirls of smoke that envelop around the...


DV8 bring precision and power to the Lyttleton stage with 'John'
B.Evans This is a raw, brutal and poetic piece of work, which I highly recommend. John tells a powerful story, invigorated and elevated...


"We've come a long way backwards" This ISN'T a review of Sunny Afternoon
By JBR Why are you reading this? Are you thinking about gong to see Sunny Afternoon and wondering what I thought of it? Are you about to...


"Run, Urinetown! Run!" Why the world will end if you don't see this show...
"What kind of a musical is this?!" cries Little Sally. The good kind. By E.L Hardy Susannah Clapp (for the Guardian) described Miss...


'Freefall' at The Pleasance
By EJ I never read the blurb for shows. Never. I think it’s because I like surprises. I don’t like anything to give the game away,...


Writer DC Moore talks to PostScript about 'Another Place.'
By Sophie Scott Following his critically acclaimed The Empire at the Royal Court Theatre (a Theatre Royal Plymouth co-production), and...


Memphis, Shaftesbury Theatre
By E.L Hardy Memphis is outrageously good: As soon as the onstage band strike up the opening chords of David Bryan's peppy, soulful...


No rival for 'The Rivals'
By L. Darrall Restoration comedies can be loquacious at the best of times and Richard Brinsley Sheridan’s The Rivals, is one of the...


Neville's Island, Duke of York's Theatre
By Megan Prosser “We come in peace! We are businessmen from Salford!” Megan Prosser travels to Neville’s Island, and wonders whether the...