Measure For Measure simply doesn't measure up

By Amy Stow

The Sydney Theatre School presents Measure for Measure, one of Shakespeare’s more problematic comedies – and alas, ‘problematic’ aptly describes this particular production. It is difficult to describe the many issues that I had with this show without destroying the dreams of many young actors – some of whom quite clearly do possess some raw talent. Perhaps this show was poorly directed – it wasn’t funny, moving, joyful or tragic. The exploration of truth, pride, humility and mercy that lies at the heart of this play was lacking, and it was very difficult to care about any of the characters – and their plight – when the actors appear to shy away from the stakes of the situation.

The conceptualisation of this play is spread across various eras, according to the Grecian and 1950s-style costumes (and the later appearance of an iPod). It’s difficult to say whether this was intended to make the play appear timeless, or confusing. The Duke, here played as the Duchess, was in some ways a nice touch (I’m all for strong women) – but her request that Isabella ‘be her love’ in the final scene, a tricky ending to this play in any production, was bewildering. Why not simply cut this patriarchal (now matriarchal?) act, if the play is indeed intended to be relevant to the 21st century?

Measure for Measure still stands as an enigma, and unfortunately this production did little to untangle this puzzling play for me.

★

Measure for Measure

theSpace on North Bridge

August 4th-9th, 18:45 (90 min)

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