By E.L. Hardy You may attribute the popularity of minimalist, simple story telling at the Fringe to the financial, technical and...

By Amy Stow This is, of course, a million dollar question. A quick Wikipedia search tells me all I need to know about snakes and their...

By E.L. Hardy Exploding onto the Fringe for the first time, this almighty band of slightly scary Spice Girls couldn't give two hoots...

By E.L. Hardy It's my second week in Edinburgh. I've seen 31 shows, of all shapes and sizes. I am open to anything. But then there is...

By Laura Darrall Never has a show been more perfect for the Edinburgh Fringe. Set in a trailer tucked round the back of Zoo Southside,...

By Amy Stow Luke Barnes' powerful new play, Bottleneck, is a moving tribute to the victims of the Hillsborough disaster at Sheffield...

By JBR There are questions to be asked about Dogfight. Any attempt at a review really ought to address those questions rather than simply...

By E.L. Hardy 6 people. 6 years. 6 degrees apart... about 17/18 entrances and exits per musical number and a whole lot of (initially...

By Briony Rawle It’s been about fifteen years since I was read Enid Blyton’s The Magic Faraway Tree as a child and I can’t remember what...

By Amy Stow Tim Norton’s Civil Rogues is a Jacobean romp through the hallways of Lady Margaret Cavendish’s house, where three players are...