

Symphony @ Assembly George Square Gardens
By Amy Stow Nabakov is one of my favourite theatre companies, and I was excited to hear that they had collaborated with accomplished...


The Knee Jerk of Sloth, Zoo Venues
By E.L. Hardy Going by the talent I've seen at this year's festival, East 15 is the drama school to go to. Graduating students on the...


Manuelita, Underbelly Cowgate
By Gwenni Hawkins To try and sell a relatively unknown figure to a group of strangers within an hour is no mean feat, and Manuelita rises...


Boris And Sergey's Astonishing Freakatorium
By J.H. Kamper This show was... wow. It was dark - VERY dark - but funny, and memorable. The beginning brings us into what seems to be...


Race by David Mamet
By J.H. Kamper I do love a David Mamet play. There's something about his writing that practically stages and directs the play by itself -...


Long Live the Bard!
By Amy Stow You know where you are with the Reduced Shakespeare Company. Men dressed as women, men dressed as ghosts, men wearing kilts,...


Lazy Susan: Extreme Humans
By Amy Stow Comedy sketch duo Freya Parker and Celeste Dring come together to bring their new show, Lazy Susan: Extreme Humans, to the...


John Robertson: A Nifty History of Evil
By Briony Rawle Although John Robertson’s stand-up show is billed on the EdFringe website as ‘Comedy (historical/stand-up)’, a measured...


Lorraine & Alan, Pleasance Dome
By E.L. Hardy You may attribute the popularity of minimalist, simple story telling at the Fringe to the financial, technical and...


How Does A Snake Shed Its Skin?
By Amy Stow This is, of course, a million dollar question. A quick Wikipedia search tells me all I need to know about snakes and their...